Watch The New One-Armed Swordsman Online

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Who or what are the Shaw Brothers You keep hearing people ramble on about them on various online forums and their logos seem to be all over the place including Tarantinos Kill Bill. Well, if this is a question burning inside you, then you have come to the right place. Here at Hong Kong Cinema, we have tried to pull together an insightful and informative guide into the world of the Shaw Brothers for both the uninitiated disciple and those looking to extend their basic knowledge. It is fair to say that the Shaw Brothers have been the most significant film production company in the history of Hong Kong Cinema, with an influence extending far into international cinema. Over the last nine decades, the Shaws have amassed a collection of over 8. They gave openings to some of Hong Kongs best loved stars Jimmy Wang Yu, Lo Lieh, Ti Lung, David Chiang, Gordon Liu, Alexander Fu Sheng and Cheng Pei Pei, but also those behind the camera Chang Cheh, Lau Kar Leung, John Woo and Chor Yuen. Not only were they breaking box office records both domestically and abroad, but they also defined a number of genres that are now considered the very essence of Hong Kong cinema. The History of the Shaw Brothers. Ningbo, 1. 90. 0s, Shaw family portrait left to right Runde SHAW, Run. Fun SHAW,Run. Run SHAW, Wang Shun Xiang, Runme SHAW, Runje SHAW,SHAW Vee Ngok front seated Image Property of Shaw OrganisationThe Early Years The Shaw Organisation began in 1. Singapore screening their own brand of silent movies. Frustrated by local distributors, they set up their own cinema, The Empire, to screen their movies. Led by brothers Run Run and Runme Shaw, they began to branch out into Malaysia building new cinemas and operating a mobile cinema for rural areas. However, it was only with the advent of sound that movies began to really launch themselves by 1. Shaws had produced the Cantonese opera film Normal Dragon which proved a breakthrough for them in both Singapore and Hong Kong. In the following years, the Great Depression led to a decline in cinema attendance. The Shaws began to produce films locally to minimise costs and also diversified into themes parks and other live attractions. By 1. 93. 9, the Shaws had amassed an empire of 1. South East Asia. However, by the time of the War, these Japanese invaded Singapore and seized most Shaw assets. They were then forced to use their cinema to display pro Japanese propaganda movies throughout the occupation. Following the War, the Shaws regrouped and their operations once again expanded into more cinemas and increased film production. The Years of Dominance By the early sixties, the Shaw Empire incorporated 3. It was during this period that the Shaw began to dominate the box office and set new standards in film making. However, it also marked the end of their relationship with Malaysia as their studio, Jalan Ampas, closed in 1. In 1. 95. 7, Sir Run Run Shaw came to Hong Kong from Singapore and founded the new company, Shaw Brothers Hong Kong Ltd. It was following the opening of their Hong Kong studio, Clearwater Bay, in 1. Shaw Studios grew to prominence. With over 8. 50,0. This vast production line boasted a new film starting every nine days. Another defining feature was that all films were completed without sound, which was dubbed into various languages in one of the twelve sound studios on site. This allowed them to rapidly prepare each movie for the international market with consistent levels of production values. Pictures from King Hus Come Drink with Me and Chang Chehs One Armed Swordsman. The first real breakthrough was The Kingdom and the Beauty 1. Four years later the Magnificent Concubine won Grand Prix at the Cannes Film Festival. Director Li Han Hsiang went onto to have further international success with Empress Wu and Love Eterne in 1. Other notable entries include King Hus Come Drink With Me 1. The legendary Chang Cheh was hot on his heels with the 1. The One Armed Swordsman. This Jimmy Wang Yu revenge yarn was the first movie to break HK 1m at the box office. Not satisfied with this success, Chang Cheh went onto to deliver hit after hit and forming a crucial role in shaping the kung fu genre. Many believe Chehs 1. Vengeance marks the first genuine kung fu movie, it also importantly brought him together with Ti Lung and David Chiang the Iron Triangle as they became known. By the end of the 7. The Five Venoms. Among those who worked alongside director Chang Cheh were martial arts choreographer Lau Kar Leung and John Woo. Lau Kar Leung became a hugely successful director in his own right, moving away from Chehs blend of macho cinema and bloodshed for more respectful martial arts and also some early attempts at kung fu comedy such as 1. Spiritual Boxer. There is no doubt that John Woo was heavily influenced by Chehs heroic themes as he left the Shaw Studios and made it big with his own brand of action in the 1. Pictures from Chang Chehs Boxer from Shantung Chen Kuan Tai and Chor Yuens Death Duel Derek YeeOther notable contributions include Cheng Chang Hos The Five Fingers of Death King Boxer, starring Lo Lieh. This action packed yarn actually out grossed Bruce Lee in the US during the height of the kung fu boom. Chor Yuen continued Kung Hus focus on wuxia pian with the likes of Killer Clans and The Magic Blade. Whilst Chang Cheh reveled in blood and guts, Chor Yuen focused on aesthetics and grace, proving equally successful in the early seventies. The Shaw Brothers continued to diversify in this period with the launch of their own TV station in 1. TVB. They also began co productions with international houses as well the best examples being The Legend of the Seven Golden Vampires and Blade Runner. By the mid seventies, their empire had now expanded to 2. Each week over 1. Shaw produced movie Pictures from Lau Kar Leungs Executioners from Shaolin Lo Lieh and 3. Chamber of Shaolin Gordon LiuThe Beginning of the End Stars at the Shaw Studios were normally contracted on 3, 5 or 8 years basis and would work 6 day weeks to keep within the schedules. As the success of Shaws brought more money into Hong Kong cinema, they actually became the victims of their own success as stars looked to more relaxed studios who also offered more competitive packages, such as ex Shaw Raymond Chows Golden Harvest. As a result of this and increasing issues surrounding piracy, the Shaw Studios in Hong Kong ceased operation in 1. TV production. This marked a twelve year gap before they re entered the movie business with Stephen Chow in Out of the Dark in 1. A few more films have emerged since, including Hero 1. Yuen Biao and Takeshi Kaneshiro and 2. Drunken Monkey, but nothing near the output of the previous decades. The Shaw Brothers remained hugely protective of their back catalogue and it was only in 2. Shaw Brothers library to Celestial for HK 6. US 8. 5m to the Malaysian company Celestial Pictures. Over a three year period the entire catalogue was remastered and restored with the latest technology. Example of the impact of Celestials remastering work on the original source print from the 1. Since this time, Shaw Brothers continues to expand its infrastructure with state of the art multiplexes and also a number of philanthropic ventures through the Shaw Foundation.