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The Dark Side of the Moon. The Dark Side of the Moon is the eighth album by English rock band Pink Floyd, released on 1 March 1. Harvest Records. The album built on ideas explored in earlier recordings and live shows, but lacks the extended instrumental excursions following the departure of founding member and principal contributor, Syd Barrett, in 1. It thematically explores conflict, greed, the passage of time, and mental illness, the latter partly inspired by Barrett's deteriorating mental state. Developed during live performances, an early version was premiered several months before recording began; new material was recorded in two sessions in 1.

Abbey Road in London. The group used some advanced recording techniques at the time, including multitrack recording and tape loops.

Analogue synthesizers were prominent in several tracks, and snippets from recorded interviews with Pink Floyd's road crew and others provided philosophical quotations throughout. Engineer. Alan Parsons was responsible for many distinctively notable sonic aspects and the recruitment of singer Clare Torry. The album's iconic sleeve, designed by Storm Thorgerson, depicts a prismspectrum and represents the band's lighting, the record's thematic material, and keyboardist. Richard Wright's "simple and bold" design request. The album was an immediate commercial and critical success; it topped the Billboard Top LPs & Tapes chart for a week and remained in the chart for 7. With an estimated 4. Pink Floyd's most commercially successful album and one of the best- selling worldwide.

It has been remastered and re- released twice, and covered in its entirety by several other acts. It produced two singles, "Money" and "Us and Them", and is the band's most popular album among fans and critics, being ranked as one of the greatest albums of all time.

Background[edit]Following Meddle in 1. Pink Floyd assembled for an upcoming tour of Britain, Japan and the United States in December of that year. Rehearsing in Broadhurst Gardens in London, there was the looming prospect of a new album, although their priority at that time was the creation of new material.[1] In a band meeting at drummer Nick Mason's home in Camden, bassist Roger Waters proposed that a new album could form part of the tour.

Waters' idea was for an album that dealt with things that "make people mad", focusing on the pressures faced by the band during their arduous lifestyle, and dealing with the apparent mental problems suffered by former band member Syd Barrett.[2] The band had explored a similar idea with 1. The Man and The Journey.[4] In an interview for Rolling Stone, guitarist David Gilmour said: "I think we all thought – and Roger definitely thought – that a lot of the lyrics that we had been using were a little too indirect. There was definitely a feeling that the words were going to be very clear and specific."[5]Waters' early demo recording of "Money", made in his garden shed. Problems playing this file? See media help. Generally, all four members agreed that Waters' album concept unified by a single theme was a good idea.[5] Waters, Gilmour, Mason and keyboardist Richard Wright participated in the writing and production of the new material, and Waters created the early demo tracks at his Islington home in a small studio built in his garden shed.[6] Parts of the new album were taken from previously unused material; the opening line of "Breathe" came from an earlier work by Waters and Ron Geesin, written for the soundtrack of The Body,[7] and the basic structure of "Us and Them" borrowed from an original composition by Wright for Zabriskie Point.[8] The band rehearsed at a warehouse in London owned by The Rolling Stones, and then at the Rainbow Theatre in Finsbury Park, London.

They also purchased extra equipment, which included new speakers, a PA system, a 2. Nine tonnes of kit was transported in three lorries; this would be the first time the band had taken an entire album on tour, but allowed improvement and refinery nonetheless,[9][1. Dark Side of the Moon (an allusion to lunacy, rather than astronomy).[1. However, after discovering that that title had already been used by another band, Medicine Head, it was temporarily changed to Eclipse. The new material premièred at The Dome in Brighton, on 2. January 1. 97. 2,[1. Medicine Head's album the title was changed back to the band's original preference.[1.

The Rainbow Theatre in London, where The Dark Side of the Moon was played for the press in 1. Dark Side of the Moon: A Piece for Assorted Lunatics, as it was then known,[4] was performed in the presence of an assembled press on 1.

February 1. 97. 2 – more than a year before its release – at the Rainbow Theatre, and was critically acclaimed.[1. Michael Wale of The Times described the piece as ".. bringing tears to the eyes. It was so completely understanding and musically questioning."[1.

Derek Jewell of The Sunday Times wrote "The ambition of the Floyd's artistic intention is now vast."[1. Melody Maker was, however, less enthusiastic: "Musically, there were some great ideas, but the sound effects often left me wondering if I was in a bird- cage at London zoo."[1. However, the following tour was praised by the public. The new material was performed live, in the same order in which it would eventually be recorded, but obvious differences between the live version, and the recorded version released a year later, included the lack of synthesizers in tracks such as "On the Run", and Bible readings that were later replaced by Clare Torry's non- lexical vocables on "The Great Gig in the Sky".[1. The band's lengthy tour through Europe and North America gave them the opportunity to make continual improvements to the scale and quality of their performances.[1. Work on the album was interrupted in late February when the band travelled to France and recorded music for French director Barbet Schroeder's film, La Vallée.[1.

They then performed in Japan and returned to France in March to complete work on the film. After a series of dates in North America, the band flew to London to begin recording the album, from 2.

May to 2. 5 June. More concerts in Europe and North America followed before the band returned on 9 January 1.

Concept[edit]The Dark Side of the Moon built upon experiments Pink Floyd had attempted in their previous live shows and recordings, but lacks the extended instrumental excursions which, according to critic David Fricke, had become characteristic of the band after founder member Syd Barrett left in 1. Gilmour, Barrett's replacement, later referred to those instrumentals as "that psychedelic noodling stuff", and with Waters cited 1. Meddle as a turning- point towards what would be realised on the album. The Dark Side of the Moon's lyrical themes include conflict, greed, the passage of time, death, and insanity, the latter inspired in part by Barrett's deteriorating mental state; he had been the band's principal composer and lyricist.[8] The album is notable for its use of musique concrète[4] and conceptual, philosophical lyrics, as found in much of the band's other work.

Each side of the album is a continuous piece of music. The five tracks on each side reflect various stages of human life, beginning and ending with a heartbeat, exploring the nature of the human experience, and (according to Waters) "empathy".[8] "Speak to Me" and "Breathe" together stress the mundane and futile elements of life that accompany the ever- present threat of madness, and the importance of living one's own life – "Don't be afraid to care".[2. By shifting the scene to an airport, the synthesizer- driven instrumental "On the Run" evokes the stress and anxiety of modern travel, in particular Wright's fear of flying.[2. Watch Legendary Putlocker. Time" examines the manner in which its passage can control one's life and offers a stark warning to those who remain focused on mundane aspects; it is followed by a retreat into solitude and withdrawal in "Breathe (Reprise)".